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b.?1961

Bente SKJ?TTGAARD?(丹麥?Denmark, b. 1961)

云?0924 Cloud 0924

2009

釉彩石瓷?Stoneware, glaze

19 x 30 x 5?cm

Bente Skj?ttgaard 1961年出生于丹麥∠茨睿現(xiàn)生活和工作于哥本哈根炮方。

Bente Skj?ttgaard的藝術(shù)作品源于她對粘土的經(jīng)驗知識，她對這種自然和不可預(yù)測的事物的熱愛提蕴，她始終將技術(shù)實驗推向更遠(yuǎn)的愿望誊批，并將陶瓷帶入新的視野。她從自然與文化的關(guān)系中汲取靈感灼镣，將來自自然的物質(zhì)轉(zhuǎn)化為讓人聯(lián)想到樹根卦唇、巖層、水生動植物丐浑、云或龍卷風(fēng)的人工制品欢公。她的釉料不可抗拒地激發(fā)我們?nèi)ビ|摸它們，起泡和滴落的視覺卓据，有時讓人聯(lián)想到泡沫或火山巖共胎，有時讓人聯(lián)想到甜美的糕點(diǎn)糖霜或融化的冰淇淋。藝術(shù)家的實驗具體化為有機(jī)和感性的抽象雕塑手趣。

她的重要收藏包括：英國維多利亞和阿爾伯特博物館晌该；法國國家陶瓷博物館，法國國家當(dāng)代藝術(shù)博物館绿渣，丹麥設(shè)計博物館朝群，丹麥特拉普霍爾特藝術(shù)博物館，丹麥藝術(shù)基金會，哥本哈根文化基金會等姜胖。?(中文翻譯僅供參考誉帅，請以英文部分和藝術(shù)家簡歷為準(zhǔn)。)

Bente Skj?ttgaard Born in 1961 in Denmark. Lives and works in Copenhagen.

Bente Skj?ttgaard ‘s artworks are born from her empirical knowledge of clay, her love for this natural and unpredictable matter, her desire to always push technical experiments further and to bring ceramics to new horizons. She draws inspiration from the relationship between Nature and Culture by transforming a matter that comes from nature into an artifact recalling roots, rock formations, aquatic fauna or flora, clouds or tornadoes. Her glazes irresistibly incite us to touch them, they foam and drip, sometimes evoking froth or volcanic rocks and other times a luscious pastry icing or melted ice cream. The artist’s experiments materialize as sculptures that are organic and sensual abstractions.

Selceted Collection

Victoria & Albert Museum, London
Musée National de Céramique de Sèvres, France
Fond National d’Art Contemporain, Paris, France
Collection de la ville de Chateauroux, Chateauroux, France
Designmuseum Danmark, Copenhagen, Denmark
Holstebro Kunstmuseum, Holstebro, Denmark
Grimmerhus, Museum of International Ceramic Art, Middelfart, Denmark
Vejen Art Museum, Vejen, Denmark
Trapholt Art Museum, Kolding, Denmark
The Danish Art Foundation
Copenhagen Culturel Foundation
Kunstforeningen af 14. August, Copenhagen, Denmark
Annie & Otto Johs. Detlefs Collection
Erik Veistrup Collection, Museum of International Ceramic Art, Denmark
Carsten L?vbjerg Collection
Statens Kunstfond (Danish Fund for Contemporay Arts)
K?benhavns Kulturfond, Copenhagen, Denmark
Kunstindustrimuseet, Copenhagen, Denmark
Danmarks Keramikmuseum, Grimmerhus, Middelfart, Denmark
Leif Djurhus’s samling

Commission

H?rvejsprojektet 2009-2010, Kunststyrelsen, Denmark
Traces, l’art le long de la route ancienne H?rvejen en Jutland, un projet du Danish Arts Foundation, Denmark, 2011

b.?1974

Xenz?(英國?UK?b.?1974)

綻放?Blossom

2007

鐵板右莱、油彩?Iron board, oil colour

62.5 x 30?cm

Xenz?(英國?UK, b. 1974)

綻放?Blossom

2007

鋁板丙烯噴繪?Acrylic and spray paint on aluminum

64 x 59?cm

Graeme Brusby （生于 1974 年）在 14 歲時成為一名涂鴉藝術(shù)家蚜锨，受到記錄紐約亞文化的電影和書籍的啟發(fā)。他開發(fā)了“感覺”標(biāo)簽慢蜓，后來演變成 Xenz（發(fā)音為“zenz”）亚再，這是他今天用來簽署他的繪畫和壁畫的簽名。

從事涂鴉藝術(shù)已有 30 多年晨抡，他開發(fā)了一種獨(dú)特的藝術(shù)形式方法氛悬。他的早期作品是在英國約克郡赫爾廢棄倉庫內(nèi)的繪畫，鼓勵了一種非常實驗性的涂鴉方法慷抛，以至于涂鴉這個詞不再足以描述他所做的事情勃撼。

Xenz 使用噴霧罐依托他的想象繪制風(fēng)景，以捕捉記憶碎片和不斷變化的主題睹协，通常來自自然世界鳞集。他住在布里斯托爾，在那里他與英國歷史最悠久叁利、最受尊敬的涂鴉團(tuán)隊之一 TCF 以及 Banksy祷濒、Inkie 等藝術(shù)家一起畫了許多作品，遠(yuǎn)遠(yuǎn)超出了涂鴉藝術(shù)的界限党砸。

他作為街頭藝術(shù)家的經(jīng)歷為他在工作室的工作提供了信息蟀委。他是一位多學(xué)科的視覺藝術(shù)家。Xenz 的畫作經(jīng)常探索空靈的主題莉狠，描繪鳥類猜艇、蝴蝶和花朵的迷人森林。他從許多來源汲取靈感堪俩。日本版畫跳昼、中國水彩畫和印象派畫家的畫作位居榜首。偶爾肋乍，他會打破這些空靈的主題鹅颊，描繪他周圍的世界，城市碎屑和城市生活之一墓造。最近堪伍，他一直在以數(shù)字格式工作，創(chuàng)建3D模型觅闽，電影帝雇，聲音景觀和投影涮俄，包括最近在虛擬現(xiàn)實體驗方面的實驗。

Xenz 曾在英國尸闸、邁阿密彻亲、紐約、巴塞爾吮廉、伊維薩島苞尝、新德里和悉尼的展覽中展出。他在倫敦的個展門票售罄宦芦，他的限量版印刷品需求量很大佛雀。他的作品被世界各地的私人和企業(yè)收藏。他曾就讀于愛丁堡藝術(shù)學(xué)院慢况。?(中文翻譯僅供參考孤咏，請以英文部分和藝術(shù)家簡歷為準(zhǔn)旋喊。)

Graeme Brusby (b. 1974) became a graffiti artist at the age of 14 having been inspired by films and books that documented the sub culture in New York. He developed the tag “sense” which evolved into Xenz (pronounced “zenz”) which is the signature he uses today to sign both his paintings and his murals.

Having practiced graffiti art for over 30 years, he has developed a unique approach to the art form. His early works, which were paintings inside the derelict warehouses of Hull in Yorkshire England, encouraged a very experimental approach to graffiti, so much so that the word graffiti no longer sufficiently describes what he does.

Xenz paints landscapes from his imagination using the spray can to capture fragments of memory and ever-changing subject matter, often drawn from the natural world. He lived in Bristol where he painted many pieces alongside one of the UK’s longest standing and most respected graffiti crews TCF, and artists such as Banksy, Inkie and many others extending way beyond the boundaries of Graffiti art.

His experience as a street artist informs his work in the studio. He is a multi disciplinary visual artist. Xenz paintings often explore ethereal themes with enchanted forests depicting birds, butterflies and flowers. He draws inspiration from many sources. Japanese block prints, Chinese watercolours and the paintings of the Impressionists high on this list. Occasionally he breaks from these ethereal themes to depict the world that surrounds him, one of urban detritus and life in the city. Lately he has been working in digital formats creating 3d models, films, sound scapes and projections including recent experiments in virtual reality experiences.

Xenz has been shown in exhibitions in the UK, Miami, New York, Basel, Ibiza, New Delhi and Sydney. He has had sell-out London solo shows, and his limited edition prints are in huge demand. His work is in private and corporate collections worldwide. He studied at Edinburgh College of Art.?

b.?1950

Laurens TAN?(澳大利亞?Australia, b. 1950)

蹦蹦車原型?- 中國制造?Bang Bang - Made in China

2003

玻璃纖維阀秤、木材、亞克力哲陷、金屬部件?Fiberglass, wood, acrylic, metal parts

50 x 39 x 14?cm

Laurens Tan 譚思考 1950年生于荷蘭海牙。生活和工作于悉尼蚂会、北京（自2006年起）、拉斯維加斯（自2012年起）胁住。他的曾祖父母于 1800 年代后期從中國福建移民到印度尼西亞，他于1962年隨父母移居澳大利亞措嵌。?(中文翻譯僅供參考，請以英文部分和藝術(shù)家簡歷為準(zhǔn)企巢。)

Laurens Tan Born 1950 in The Hague, Holland. Lives and works in Sydney (since 1962), Beijing (since 2006), Las Vegas (since 2012). Laurens migrated with his parents to Australia in 1962. His great grandparents migrated to Indonesia from Fujian, China in the late 1800s.

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